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<!--Generated by Squarespace Site Server v5.8.3 (http://www.squarespace.com/) on Sun, 29 Nov 2009 01:21:28 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Bibliothecary Blog</title><subtitle>BibliothecaryBlog</subtitle><id>http://bibliothecary.squarespace.com/bibiliothecaryblog/</id><link rel="alternate" type="application/xhtml+xml" href="http://bibliothecary.squarespace.com/bibiliothecaryblog/"/><link rel="self" type="application/atom+xml" href="http://bibliothecary.squarespace.com/bibiliothecaryblog/atom.xml"/><updated>2009-05-09T14:39:24Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.8.3 (http://www.squarespace.com/)">Squarespace</generator><entry><title>Best of both worlds</title><category term="Blogbiz"/><id>http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/5/9/best-of-both-worlds.html</id><link rel="alternate" type="text/html" href="http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/5/9/best-of-both-worlds.html"/><author><name>Ed Pettit</name></author><published>2009-05-09T14:34:43Z</published><updated>2009-05-09T14:34:43Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>I've decided to merge the Bibliothecary blog and the Ed &amp; Edgar blog into one massively cool adventure:</p>
<p>The <strong><a href="http://bibliothecary.squarespace.com/ed-and-edgar/">Ed &amp; Edgar Blog</a></strong>: my adventures in the Cult of Poe and other literary endeavours.&nbsp;</p>
<p>The Biblio blog will still be on the site, so you can always search <strong><a href="http://bibliothecary.squarespace.com/archives/">the archives</a></strong>.&nbsp; But from now on, I'm going to post only on Ed &amp; Edgar.</p>
<p>Read and enjoy.</p>]]></content></entry><entry><title>Kurosawa</title><category term="Zoetropia"/><id>http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/25/kurosawa.html</id><link rel="alternate" type="text/html" href="http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/25/kurosawa.html"/><author><name>Ed Pettit</name></author><published>2009-04-25T16:00:35Z</published><updated>2009-04-25T16:00:35Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><strong><a href="http://whenfallsthecoliseum.com/2009/04/24/cinema-this-week-the-greatest-director-of-all-time/" target="_blank">At When Falls the Coliseum,</a>&nbsp;</strong>David Alfreds makes the case that Akira Kurosawa is the greatest film director of all time. I won't argue. Although I have been remiss in not seeing most of Kurosawa's non-Samurai films. I've always wanted to see Ikiru and High and Low. One of these days I'll get to them.</p>
<p>In January, when the TV crew from Japan was filming in my study for their documentary on Edgar Allan Poe, they gave me several gifts, including a few Kurosawa items: a book of his beautiful storyboard paintings (he was a painter before a moviemaker), a decorated fan with one of Kurosawa's painted images on it and a box of Seven Samurai collectible figures that includes all the samurais from the movie plus a little Kurosawa directing the action and a camera crew.&nbsp; Each of the boxes has a piece of candy in it, too, but they told me not to eat it as it was expired.&nbsp; Here they are:</p>
<p><span class="full-image-block ssNonEditable"><span><img src="http://bibliothecary.squarespace.com/storage/Kurosawa%20figures.jpg?__SQUARESPACE_CACHEVERSION=1240635948592" alt="" /></span></span></p>]]></content></entry><entry><title>Yours Truly, Ben</title><category term="Athens of America"/><category term="History"/><id>http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/25/yours-truly-ben.html</id><link rel="alternate" type="text/html" href="http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/25/yours-truly-ben.html"/><author><name>Ed Pettit</name></author><published>2009-04-25T12:00:58Z</published><updated>2009-04-25T12:00:58Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>A cache of previously unknown letters to and from Benjamin Franklin <a href="http://www.washingtonpost.com/wp-dyn/content/article/2009/04/23/AR2009042304594.html" target="_blank"><strong>has been found</strong> </a>in an archive in the British Library. Professor Alan Houston found them while researching a book in 2007 (news travels slowly from the academic world):</p>
<p><span style="font-size: 80%;">What Houston had found was the handiwork of Thomas Birch, secretary to the Royal Society and a famously compulsive copyist of manuscripts. Birch had dined frequently with Franklin in London during the summer of 1757. Franklin by then was famous as a scientist for his experiments with electricity, but he wanted to show his British hosts that he was also politically important in the Colonies. Thus he carried with him, as a kind of calling card, a bound book of letters written by him, to him and about him during the Braddock affair. In his autobiography, Franklin referred to carrying a "Quire Book of Letters during this Transaction." The original quire book has never been found, but Birch copied it.</span></p>
<p>I'm fascinated by the detail that Franklin carried a quire of letters as a kind of press packet.&nbsp;</p>
<p>And <a href="http://chronicle.com/temp/email2.php?id=3KhfdzpZdBZTcVw8vz3dxZxQptwtjQqc" target="_blank"><strong>this account of the find</strong> </a>by Jennifer Howard in the Chronicle is much more detailed.&nbsp; Apparently Houton has kept his discovery secret for the last couple of years until he could publish the letters.&nbsp;</p>]]></content></entry><entry><title>Friday Omnigatherum</title><category term="Omnigatherum"/><id>http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/24/friday-omnigatherum.html</id><link rel="alternate" type="text/html" href="http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/24/friday-omnigatherum.html"/><author><name>Ed Pettit</name></author><published>2009-04-24T18:00:45Z</published><updated>2009-04-24T18:00:45Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>An omnigatherum of literary links for your Friday reading:</p>
<p>Science Fiction and memory <strong><a href="http://blog.wired.com/wiredscience/2009/04/memoryscifi.html" target="_blank">at the Wired blog</a></strong></p>
<p>Top 10 Forgotten Pulitzer Prize Winning novels <a href="http://www.abebooks.com/books/pulitzer-prize-fiction-award-novel/past-winners.shtml" target="_blank"><strong>at abe</strong></a>&nbsp;(I've heard of only two of these)</p>
<p>Science Fiction and Sex (wink wink) <strong><a href="http://io9.com/5216703/10-authors-who-put-sex-in-their-science-fiction" target="_blank">at io9</a></strong></p>
<p>Stephen Marche on famous lost works of literature<strong> <a href="http://online.wsj.com/article/SB124001426103530947.html#mod=article-outset-box" target="_blank">in the WSJ</a></strong></p>
<p>Jeffrey Trachtenberg on Mark Twain's new book <a href="http://online.wsj.com/article/SB124000246279630121.html" target="_blank"><strong>in the WSJ</strong> </a>(About time that slacker Twain put out a new one)</p>]]></content></entry><entry><title>Whisky Neat</title><category term="World's a Stage"/><id>http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/24/whisky-neat.html</id><link rel="alternate" type="text/html" href="http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/24/whisky-neat.html"/><author><name>Ed Pettit</name></author><published>2009-04-24T12:00:49Z</published><updated>2009-04-24T12:00:49Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>If you're in the Philly area, <a href="http://azukatheatre.org/show.php?mnu=shows" target="_blank"><strong>Akuza Theatre's Whisky Neat</strong> </a>is in its final weekend.&nbsp; The play is written by Bruce Walsh who is also scripting Brat Productions' Edgar Allan Poe show (a show I'm&nbsp;involved with).&nbsp; There's a <strong><a href="http://azukatheatre.org/show.php?prod=25&amp;s=v&amp;ei=22&amp;mnu=shows&amp;mi=99" target="_blank">trailer for Whisky Neat</a></strong>.&nbsp; Looks like a play about drinking, sex and violence.&nbsp; Can you ask for more than that?&nbsp;</p>]]></content></entry><entry><title>Dead Poet's Society Day</title><category term="Poetomachia"/><category term="Quixotica"/><category term="Romantics"/><id>http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/23/dead-poets-society-day.html</id><link rel="alternate" type="text/html" href="http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/23/dead-poets-society-day.html"/><author><name>Ed Pettit</name></author><published>2009-04-23T18:00:46Z</published><updated>2009-04-23T18:00:46Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><strong><a href="http://www.guardian.co.uk/commentisfree/2009/apr/23/dead-poets-shakespeare">At the Guardian</a></strong>, Ian McMillan reminds us that April 23rd is not only Shakespeare's death day.&nbsp; Also dead on this day: <strong><a href="http://www.csdl.tamu.edu/cervantes/V2/CPI/index.html" target="_blank">Miguel de Cervantes</a></strong> (1616), <a href="http://www.wordsworth.org.uk/" target="_blank"><strong>William Wordsworth</strong> </a>(1850), <strong><a href="http://www.henry-vaughan-poems.com/" target="_blank">Henry Vaughan</a>&nbsp;</strong>(1695) and <a href="http://www.rupertbrooke.com/" target="_blank"><strong>Rupert Brooke</strong> </a>(1915).&nbsp;</p>
<p>Although Cervantes died on the same date as Shakes, Apr 23, 1616, they died ten days apart because England had not yet switched to the Gregorian calendar.&nbsp;&nbsp;Brits were still using the old&nbsp;Julian calendar (Protestant Heretics!).&nbsp; A couple years ago, a movie was made, "Miguel y William," about a supposed encounter between the two poets (and their love for the same woman).&nbsp; The appropriately named Will Kemp starred as Shakes.&nbsp; I don't think it's ever been released in America, nor have I been able to find a DVD.&nbsp; But you can watch the trailer <strong><a href="http://wwws.warnerbros.es/miguelywilliam/" target="_blank">at the film's website</a></strong>.</p>
<p>And here's a little Wordsworth link for today: an intern at the Wordsworth Trust, Emily Hasler,&nbsp;has been blogging about her experience all year at <strong><a href="http://agrasmerejournal.blogspot.com/" target="_blank">A Grasmere Journal.</a></strong></p>]]></content></entry><entry><title>Who Is Primary?</title><category term="AbbotCostelliana"/><category term="Shakespeariana"/><id>http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/23/who-is-primary.html</id><link rel="alternate" type="text/html" href="http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/23/who-is-primary.html"/><author><name>Ed Pettit</name></author><published>2009-04-23T14:41:48Z</published><updated>2009-04-23T14:41:48Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>I love this.&nbsp; Abbott and Costello's Who's on First as a Shakespearean dialogue:</p>
<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/BaGHVWKrcpQ&hl=en&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/BaGHVWKrcpQ&hl=en&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object></p>
<p>Thanks <strong><a href="http://www.talklikeshakespeare.org/main.taf?p=0,10" target="_blank">Talk Like Shakespeare</a></strong>.</p>]]></content></entry><entry><title>Talk like Shakespeare</title><category term="Gilligan!"/><category term="Poetomachia"/><category term="Shakespeariana"/><id>http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/23/talk-like-shakespeare.html</id><link rel="alternate" type="text/html" href="http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/23/talk-like-shakespeare.html"/><author><name>Ed Pettit</name></author><published>2009-04-23T13:45:53Z</published><updated>2009-04-23T13:45:53Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>In honor of his birthday, it's also Talk Like Shakespeare Day. Well, at least <strong><a href="http://www.talklikeshakespeare.org/res/Proclamation.pdf" target="_blank">in Chicago it is</a></strong>, but maybe it'll catch on (do we want it to?). Nevertheless, there are some good links at the <strong><a href="http://www.talklikeshakespeare.org/" target="_blank">Talk Like Shakes homepage</a></strong>, including some <strong><a href="http://www.talklikeshakespeare.org/main.taf?p=0,10" target="_blank">cool videos,</a></strong> like the Hamlet Musical from Gilligan's Island.</p>
<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/8cNN5zwEcXM&hl=en&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/8cNN5zwEcXM&hl=en&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object></p>
<p>And here's an oddity: All 154 of <strong><a href="http://www.shakespeareintune.com/Site_Map.html" target="_blank">Shakespeare's Sonnets adapted&nbsp;for the&nbsp;flute</a></strong>:</p>
<p><span style="font-size: 80%;">The improvisations try to capture something of the tuneful, very rhythmic, occasionally rustic "playhouse feeling" of the period, without losing the intimacy of the Poet's "lark ascending" and "black dog" moments. The mellow flute playing is remarkable for its fresh inventiveness and beautiful sonority.</span></p>]]></content></entry><entry><title>Like as the waves make towards the pebbled shore . . .</title><category term="Poetomachia"/><category term="Shakespeariana"/><id>http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/23/like-as-the-waves-make-towards-the-pebbled-shore.html</id><link rel="alternate" type="text/html" href="http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/23/like-as-the-waves-make-towards-the-pebbled-shore.html"/><author><name>Ed Pettit</name></author><published>2009-04-23T12:47:30Z</published><updated>2009-04-23T12:47:30Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p>Like as the waves make towards the pebbled shore,</p>
<p>So do our minutes hasten to their end;</p>
<p>Each changing place with that which goes before,</p>
<p>In sequent toil all forwards do contend.</p>
<p>Nativity, once in the main of light,</p>
<p>Crawls to maturity, wherewith being crowned,</p>
<p>Crooked eclipses 'gainst his glory fight,</p>
<p>And Time that gave doth now his gift confound.</p>
<p>Time doth transfix the flourish set on youth,</p>
<p>And delves the parallels in beauty&rsquo;s brow,</p>
<p>Feeds on the rarities of nature&rsquo;s truth,</p>
<p>And nothing stands but for his scythe to mow.</p>
<p>And yet to times in hope my verse shall stand,</p>
<p>Praising thy worth, despite his cruel hand.</p>]]></summary></entry><entry><title>The Janeites</title><category term="Janeites"/><id>http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/21/the-janeites.html</id><link rel="alternate" type="text/html" href="http://bibliothecary.squarespace.com/bibiliothecaryblog/2009/4/21/the-janeites.html"/><author><name>Ed Pettit</name></author><published>2009-04-21T12:33:48Z</published><updated>2009-04-21T12:33:48Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span class="thumbnail-image-float-left ssNonEditable"><span><a href="javascript:showFullImage('/display/ShowImage?imageUrl=%2Fstorage%2Faustenroom2.jpg%3F__SQUARESPACE_CACHEVERSION%3D1240284607241',276,460);"><img src="http://bibliothecary.squarespace.com/storage/thumbnails/878004-2921107-thumbnail.jpg?__SQUARESPACE_CACHEVERSION=1240284627490" alt="" /></a></span><span class="thumbnail-caption" style="width: 152px;">Austen's tiny writing desk</span></span>In "<strong><a href="http://www.thenational.ae/article/20090410/REVIEW/722092169/1008" target="_blank">Jane Addiction</a></strong>" in The National, Peter Terzian reviews Clare Harman's <em>Jane's Fame: How Austen Conquered the World</em>:</p>
<p><span style="font-size: 80%;">Our obsession with Jane Austen has turned a dark corner. February brought news of a new book titled Pride and Prejudice and Zombies, which splices Austen&rsquo;s original text with scenes where, according to the publisher&rsquo;s website, Elizabeth Bennet &ldquo;wages war against hordes of flesh-eating undead&rdquo;. Weeks later, word came that a film called Pride and Predator, in which a space alien claws up Regency England, was in preproduction, to be scored by Elton John. The forthcoming Jane Bites Back is the first book of a proposed series that imagines the early 19th-century novelist as a vampire, now 200 years old and ticked off at the profitable Austen industry.</span></p>
<p>Terzian mentions a Rudyard Kipling short story entitled "The Janeites" about a WWI vet reminiscing about the secret Austen society of his battalion. Members would give certain passwords related to the novels and receive Turkish cigarettes in return (I propose this practice be reinstated) and would chalk character names on their artillery guns. When one of the soldiers claims that Jane never had children, the other responds (in his cockney dialect):</p>
<p><span style="font-size: 80%;">&ldquo;Pa-hardon me, gents,&rdquo; Macklin says, &ldquo;but this is a matter on which I do &lsquo;appen to be moderately well-informed. She did leave lawful issue in the shape o&rsquo; one son; an&rsquo; &lsquo;is name was &lsquo;Enery James.&rdquo;</span></p>
<p><a href="http://www.jasna.org/persuasions/printed/number10/heldman.htm" target="_blank"><strong>James Heldman</strong> </a>writes about his discovery of Kipling's story along with a cheeky poem about Jane in Heaven, "Jane's Marriage" for the Austen Society of North America. Heldman observes, "But the principal secret society in the story is made up of Humberstall and his four companions in combat whose devotion to Jane Austen gives them a common bond of civilization and humanity in the face of the demoralization of war." It's this same kind of thrill that, I think, still unites many Janeites, although for them, modern culture is substituted for The Great War.</p>
<p>Kipling's "<strong><a href="http://ebooks.adelaide.edu.au/k/kipling/rudyard/debits/chapter14.html" target="_blank">The Janeites</a></strong>" and his poem "<strong><a href="http://ebooks.adelaide.edu.au/k/kipling/rudyard/debits/chapter15.html" target="_blank">Jane's Marriage</a></strong>."</p>
<p><span style="font-size: 80%;">&lsquo;Well, as pore Macklin said, it&rsquo;s a very select Society, an&rsquo; you&rsquo;ve got to be a Janeite in your &rsquo;eart, or you won&rsquo;t have any success. An&rsquo; yet he made me a Janeite! I read all her six books now for pleasure &lsquo;tween times in the shop; an&rsquo; it brings it all back&mdash;down to the smell of the glue-paint on the screens. You take it from me, Brethren, there&rsquo;s no one to touch Jane when you&rsquo;re in a tight place. Gawd bless &lsquo;er, whoever she was.&rsquo;&nbsp;</span></p>]]></content></entry></feed>